Batik Fabric was born in Indonesia, but now the garment can be found in almost every corner of the world. What is batik fabric? Batik is more a process to make artistic garment than the product itself. Etymologically, batik is derived from Javanese terms amba, which means to write, and titik, which means dot. The art of batik thus involves writing dots, lines and curves on a piece of fabric using a tool called canting to create certain patterns and motifs. Although the term originally refers to the process of making, today people know it more as a product than a process.
Batik fabric, as both a process and a product, has gone transnational know. As a process, with so many variants of patterns, motifs and techniques, batik is no longer exclusively Indonesian. There are currently many countries that produce their own versions of batik. Even the process of making Mandiba, the garment regularly worn by Nelson Mandela, is widely known as batik. As a product, batik remains more or less exclusively Indonesians. The UNESCO has chosen Indonesian batik as a Masterpiece of Oral and Intangible Heritage of Humanity while insisting Indonesia as the preserver of this heritage.
In this article, we will go through a deep exploration of this cultural heritage. We will look into its history, various batik techniques, various versions of batik, and different types of fabric used for making batik.
The History of How To Make Batik
Batik fabric is a resist dyeing process in which batik artists draw a negative on a piece of fabric that makes the part will not be dyed later. This process has been occurring for very long in human history. The first recorded instance of this process occurred among the Egyptians and some tribal communities in Africa; however, the process was slightly different from the one that would later emerge in Indonesia because Egyptians used scraping technique after waxing whereas African communities like Yoruba, Wolof and Soninke used cassava starch instead of beeswax.
Where did batik come from? The earliest known batik process that was relatively similar to that in Indonesia was recorded in China, India and Sri Lanka. The process involved drawing negatives on fabric so that when the fabric was later dyed, the drawn parts were untouched by the dye. This process was later adopted by different communities along the trade route passed by Chinese and Indian traders, including those inhabiting the Indonesian archipelago.
What makes Indonesian batik unique? There are two reasons why in later periods, batik is considered an art exclusive to Indonesia. First, although the art itself might be brought by Chinese and Indian traders to Indonesia, the batik style that later grew in Indonesia became so exotic and unique that Indonesian batik was known among traders to be a masterpiece that was elevated by Javanese royal family. The special characteristic of Indonesian batik was particularly because all materials to make state-of-the-art batik fabric, including beeswax, high-quality cotton garment, and various dyeing materials, were widely available in Indonesia.
Second, some scholars, including J.L.A. Brandes and F.A. Sutjipto, believed that batik was actually not an art transmitted from South and East Asian people, but a native art developed by native Indonesian people. This was particularly because in regions without direct Chinese and Indian influences, such as Toraja, Papua and Flores, the art of batik was also flourishing. This becomes one of the primary rationales for Indonesians in the modern era to claim that the art of batik is exclusively Indonesian.
The History of Batik in Indonesia
In the beginning, batik fabrics were only worn by Javanese royal families. The active development of batik became the focus the Sultanate of Mataram, during which batik was worn by the King, his family and the nobles. This tradition was not only preserved, but also invigorated during the era of Surakarta Sunanate and Yogyakarta Sultanate, giving rise to the distinction of batik design in each region. This marked the development of Solonese batik and Yogyanese batik that continued until today.
There are many factors that distinguish both styles of batik. To begin with, Yogyanese batik uses patterns and motifs that look strong, sharp and masculine whereas Solonese batik uses calmer, softer and milder patterns and motifs. Both styles are also different in that Solonese batik uses darker backgrounds, such as brown and brownish gold, whereas Yogyanese batik generally uses brighter colors, especially white, as background. Lastly, they are different in the way the parang (sword or kris) motif is drawn on the fabric. Solonese batik uses parang motif that is drawn from top left to bottom right whereas Yogyanese batik uses parang motif that is drawn from the top right to bottom left.
In later period, batik fabric became so popular that the tradition of batik making was later adopted and practiced by the hoi polloi. As a result, various styles of batik, such as those from Pekalongan and Banyumas, later emerged. Despite the growing variation of batik styles, the ones from Surakarta and Yogyakarta still became standards until today.
Today, batik fabrics with modern motifs are available. Although traditional motifs, such as Parang Barong and Sido Mukti, are still preserved, additional motifs that are never included before, especially those that symbolize modernity, are now added to the design. Being transregional and transnational, even Solonese and Yogyanese batik styles that have become standard in batik making, started to adopt design not only from other regions in Indonesia, but also from other nations on earth. This is the reason why batik is now popular not only among Indonesians, but also among foreigners, including world-class personalities like Julia Roberts, Jackie Chan and Kate Middleton.
Various Batik Techniques
Based on its etymology, batik is basically an art of fabric drawing that involves the use of canting to draw dots, curves and lines on a piece of fabric. Although this traditional technique is still preserved and regarded as the “genuine” way to make high-quality batik fabric, alternative techniques are also available due to the advancement of technology and fashion demands. Here are the most common batik techniques that you should know.
- Hand Dyeing Technique
Hand dyeing is the most traditional technique to make batik fabrics. This technique involves the use of canting to draw various patterns and motifs on a piece of garment with melted beeswax as the ink. Canting is a small teapot-shaped pen that is made from lightweight copper. To use it, it must be filled with melted beeswax using scooping technique and then the artist draws on the fabric by discharging the wax through its tiny spout. A canting can have one or two spouts, the latter are useful for drawing parallel lines. Besides canting, paintbrush can also be used to cover larger drawing area. This process takes long time to finish because even skilled batik artists have to draw the patterns and motifs slowly.
The temperature degree of the melted wax is an important factor to mind during the drawing stage. If the wax is too hot, it may damage the fabric, emit dangerous fume and even catch fire. If it is not hot enough, the liquid wax may not penetrate well through the fabric. In most cases, the wax will stay on a small frying pan that is constantly heated by a small stove underneath it. The fire emitted by the stove is carefully controlled to maintain appropriate wax temperature. The appropriate temperature degree to keep the wax usable for drawing is about 110°C to 115°C.
After the drawing stage ends, the entire fabric is immersed in dye liquid to colorize it. Traditionally, the dye is made from wood fiber, morinda or noni, copper pod, and soda ash. Today, synthetic fabric dye is also widely used especially at places where access to natural dye ingredients is limited. During the immersion process, the drawn parts will not be touched by the dye because they are protected by the wax. The dyed fabric will then be dried to allow the dye to merge with it.
After this dyeing stage, the fabric is immersed once again in boiled water to remove the wax. Ironing might also be needed to further remove wax residue. After this dipping and ironing process, the fabric will reveal the drawn patterns and motifs in white or in any color used as the fabric base color.
In the modern time, wax is not necessarily used. Washable resist medium is now available for purchase. Using this medium, the process is simpler and shorter because the removal of the medium can be used using microwave.
- Stamp Dyeing Technique
In general, stamp dyeing is almost the same with hand dyeing, except that instead of using canting, this technique uses stamp dipped in melted wax to draw repeating pattern. Stamp dyeing is considered a preferred technique to draw batik motifs and patterns because it expedites batik making process without sacrificing the genuineness of the process.
Stamp dyeing technique generally proceeds in the same stages. It begins with drawing stage using stamp and then proceeds with dyeing, dipping, and drying stages.
- Tie Dye or Binding Technique
When a large straight line or seam is desired, tie dye is mostly used. In this technique, the fabric is folded and then tightly bound or taped. Afterwards, it is dipped in dye to give it color. When the fabric leaves the dyeing liquid and then it is dried and unbound, its entire surface will be colorized, except along the area that is previously bound or taped. The result is a straight white line that stretches from one side of the fabric to the opposite side.
- Painting Technique
Painting technique is distinct because this technique doesn’t involve drawing negatives. Instead, it involves drawing real image with real color on the fabric. This technique can be done on a plain sheet of fabric to create original painting or a finished batik that is made using hand dyeing or stamp dyeing technique to add additional layers of patterns and motifs with different colors. If the white patterns and motifs of hand-dyed batik are to be made colorful, the artist may colorize the white spots with any colors they like using paintbrush. In Indonesia, this technique is known as colet technique.
- Screen Printing Technique
Screen printing technique is a relatively new technique that becomes popular since the technique itself was invented. Screen printing technique allows fast process of making batik because artists basically only need to prepare the screen medium with batik patterns and motifs already imprinted on it. The stencil for the batik patterns and motifs can be made by hand or using an electronic printer. Screen printing is favored among wholesale sellers because it allows fast production of batik fabrics, but among traditional batik enthusiasts, this technique is disliked because it deviates from the traditional “genuine” way to make batik and because screen-printed batik fabrics are less durable than those made using traditional technique.
A more advanced technique called digital printing technique is also available. However, at the moment, this technique is not very popular because the used coating ink completely eliminates the breathability of the fabric and because the product of this technique appears very unnatural (too rigid and too glossy).
Quilting Batik fabric
This is particularly a new technique in batik-making industry; however, the technique is not actually used for making batik. Instead it is used to make a new product using patches of batik fabric. Batik quilt may use either patchwork or applique technique, the former is useful for making repeating patterns whereas the latter is useful for making custom shapes on the quilt. Quilting technique can be used to design various styles of batik, but it becomes very popular especially in Bali, where batik quilt becomes favorite merchandise for both domestic and foreign tourists.
Quilting is a home craft in america commonly occupied by housewife or women, they get quilting material from textile from big factory usually screen print fabric, american import textile from china, india, indonesia, vietnam and batik one which is used for quilting, they like batik fabric because the uniqueness of batik handmade making, this material is usually cotton, they buy the nearest store. which is already in 4 fat quarter, flannel, jelly rolls (ready to use)
So there are quilting materials that have been cut into 4 parts per meter (fat quarter). fat quarter is usually already in the packing containing many motifs of cloth, which can contain 20-50 different motifs. a jelly roll is usually like a ribbon rolled in one roll composed of many motifs
Various Batik Designs Available in Indonesia
Besides the Yogyanese and Solonese batik styles, which are also called inland batik styles, which we have explained above, there are also other popular batik styles that are available in Indonesia.
- Coastal Batik Style
These include batik styles that are produced in coastal regions in Indonesia, including Cirebon, Pekalongan, Lasem, Tuban, and Madura. Unlike Yogyanese and Solonese batik styles, which heavily make use of dark brown colors in their design, coastal batik styles generally appear lighter. Coastal batik styles also use patterns and motifs that are heavily influenced by Indian and Chinese cultures, because historically, interaction between the natives and foreign traders occurred most intensively in those coastal regions.
- Balinese Batik Design
Despite the popularity of batik in Bali, Balinese people didn’t actually produce batik until recently, i.e. circa 1970s. There are not many distinctive features that Balinese batik offers, except that it uses patterns and motifs that reflect Balinese culture, such as Barong and Rangda. Modern Balinese batik even depicts patterns and motifs that symbolize modernity, such as buildings and sleek and straight lines.
bali batik is exported to usa is considered unique because it has a bright color, many colors, not like batik from solo or jogja with traditional motif. although actually bali batik is not original from bali. many workers from pekalongan who come there and in the end people can make their own batik fabric from pekalongan people, now who do export batik to USA not from bali only. but also from solos and pekalongan. there are american people who have factories in solo and bali. as one of the world’s tourist destinations, many handicrafts are exported to overseas such as ikat weaving, pottery crafts, silver handicrafts, furniture, beach clothes such as dress, beach sarong and usually sarong beach dress, shirts derived from batik synonymous with hawaiian shirts made from rayon. batik fabric fabric can be found like canada batik fabric, australia batik fabric, uk batik fabric, and many more
- Sundanese Batik Design
Sundanese batik distinguishes itself mostly not in patterns and motifs, but in color. While Javanese batik styles, be they coastal or inland, use various shades of red and brown as their primary color, Sundanese people prefer to use the shades of blue for their batik. Colors such as dark blue and indigo are considered dominant. If red is to be added to the design, they often prefer to choose magenta, which has an element of blue in it.
- Sumatran Batik Pattern
There are two types of Sumatran batik that are considered popular: the one from West Sumatra or Minangkabau and the one from Jambi. The former is distinctive because it uses different techniques to make. In West Sumatra, a piece of fabric is immersed in a mixture of clay and water for approximately one day to colorize it. The drawing process takes place after the fabric is colorized, so wax is not involved in the process. Batik from Jambi is different because it uses traditional batik-making process; however, due to the strong influence of Islamic culture, the patterns and motifs mostly consist of Arabic texts.
Other regions in Indonesia have their own unique fabric art. Although certain garments, such as Sasirangan in Kalimantan, have nearly the same patterns with those of batik, they are not regarded as batik variant because of the technique used to make them.
Types of Fabric Used in Batik Making
Due to the variety of batik making techniques, all kinds of fabric can actually be used for making batik; however, to maintain quality and comfort, only a handful of fabric types are commonly used to make batik. Here they are.
Cotton is especially favored for making batik because it is breathable, cool and comfortable, and capable to absorb sweat. There are several types of cotton that are commonly used for batik, including poplin cotton, which is thick and warm; mercerized cotton, which is favored because of its strength and lustrous appearance; dobby cotton, which looks and feels great due to its unique texture; and non-bleached cotton, which is a cambric’s variant called blacu. Being a comfortable fabric, cotton is a perfect choice for making Hawaiian shirts, quilts, and any other types of garment that directly touch the body.
There is a large assortment of synthetic fabrics that can be used to make batik fabric, but the most commonly used one is rayon. Rayon fiber comes from the regeneration process of cellulose fiber. Rayon is favored as material for batik fabric because it nearly resembles cotton in terms of comfort and look. Rayon is also favored because of its shiny look and its draping characteristic. The draping effect of rayon makes it a perfect choice for making beach sarong and long dress. The draping effect prevents strong wind from causing trouble when the garment is worn. One important notice is that although having almost similar features to those of cotton, rayon is weaker than cotton, especially when exposed to water and alkalis.
Silk, together with wool and felt, is possibly the only animal-based fabric that is commonly used for making batik. Silk becomes a highly demanded fabric for batik fabric because of many reasons. Firstly, silk appears beautiful and luxurious. Silk has long been regarded as the most beautiful fabric that people can wear, so it is not surprising if silk batik fabrics, despite their relatively expensive price, are always in high demand. Secondly, silk fiber is so strong that it is actually comparable with steel wire. Thirdly, silk is comfortable to wear. Silk fiber contains amino acid that makes the fabric soft and comfortable. Silk is also cool, breathable and able to absorb sweat. Lastly, silk is perhaps the only fabric that effectively protects the skin and the body against dangerous ultraviolet ray.
Read also : How to dyeing batik fabric
Batik Fabrics is popular merchandise both in Indonesia and abroad. For this reason, its design inevitably has to follow the changing of fashion trends. In the past, batik fabric was known only in the form of shirts, shawl or cloth to accompany women’s kebaya. Today, batik is used even for making bikini. This kind of change occurs not only in the design. Therefore, in the future, we can expect the use of different materials, different patterns and motifs, and possibly different techniques in batik-making. Regardless, batik will remain Indonesian heritage whose popularity in different parts of the world will never wane.
The Antique Batik of Tjoa’s written Batik 3 negeri comes from Solo Jawa Tengah, for batik lovers will need to have recognized Tjoa’s batik. tjoa grouped loved ones is batik artisan that’s so popular previously to the present. Batik is classified because antique in today’s and has the worthiness of art The type of batik 3 negeri has a variety and complex, filled with a diverse background. The complexity of design that takes a long time and a long process is the handmade that time-tested, resulting in a piece of dazzling fabrics.
In addition to the family of Tjoa, Solo, batik 3 negeri can be found in north coast of Java in particular like Cirebon, Pekalongan, Semarang, Batang, Lasem, eastern Java island with a diverse motif. just like to do batik process in 3 different place to make this batik in 3 cities such as, Solo, Pekalongan and Lasem. Based on its history, the other uniqueness of this batik lies from its colouring, that is in 3 different places / locations. If you think about it, why? … must be in 3 different locations, is not it a waste of time, cost and labor. It turns out that the uniqueness of 3 native batik is located on the element of colouring, the three countries in question is not necessarily exploring out of the country but 3 different cities in Java namely Solo (Surakarta), Lasem (Rembang) and Pekalongan. distance each place and the other is very far , can be imagined in the past they have to travel so long and far to the fabric of the 3 city of Central Java as a province formed since the time of the Dutch East Indies.
Until 1905, Central Java includes 5 places (gewesten) namely Semarang, Rembang, Kedu, Banyumas, and Pekalongan. Surakarta continues to be a self-ruled swapraja kingdom (vorstenland) and includes two regions, Mangkunegaran and surakarta, along with Yogyakarta. Each gewest includes districts. In those days Rembang Gewest included the Regentschap of Tuban and Bojonegoro also.
Following the enactment of the Decentralisatie Besluit in 1905, gewesten was given autonomy and founded the Regional Council. Additionally it is established gemeente (municipality) are usually autonomous, pekalongan namely, Tegal, Semarang, Salatiga, and Magelang. start from 1930 years, the province of central java has planned being an regional autonomy that includes a Provinciale Raad also. Provinces contain several residences (residentie), such as several regentschaps, and so are subdivided into several districts. Main Java Province includes 5 residencies, namely: Pekalongan, Jepara-Rembang, Semarang, Banyumas, and Kedu.
Quilting batik fabrics is a great pastime to enjoy because of many reasons. To begin with, batik fabrics used for quilting are most of the time unused pieces of batik textile that is usually discarded. There are, of course, pieces and strips of batik for sale; however, the commercial value of those pieces generally arises from the popularity of quilting itself. Besides, quilting is also an enjoyable and healthy pastime. It is a fun and stress relieving way to create beautiful quilt result. Quilting batik fabric is also an excellent way to transform pieces of batik fabric that don’t look very nice into a product that is not only beautiful, but also commercially viable.
There are so many interesting things to discuss when it comes to quilting batik fabrics. Here we will elaborate some of the most fascinating topics about quilting with batik fabrics, including the best colors and patterns for batik quilt, how to quit with batik fabrics, how to quilt with jelly rolls and fat quarters, and how to quilt with 108-inch batik fabric.
The Best Colors and Patterns for Batik Quilt
When you plan to make a quilting batik fabric, color and pattern will become your primary concern, because a quilt is supposed to be colorful and flashy. Of course, you can still make batik quilt with calmer tone, but because you will be using patches of fabric in your design, color and pattern difference still becomes an important matter to mind.
When it comes to choosing color and pattern for your quilt, batik is perhaps the best fabric to work with because batik is already available in various colors and patterns. You only need to know how to pick the right batik styles.
Here we show you how to choose the right styles based on the colors that you want to incorporate in your design.
1. Light and Earth Colors
If you are looking for light colors for your batik quilt, such as white, yellow and cream, you mostly need to look into coastal batik fabrics, especially those made in Pekalongan and Indramayu. Nonetheless, this doesn’t mean you cannot go inland, because batik fabrics made in Ciamis and Garut are also known for their bright colors. In fact, you can actually go to as far as Yogyakarta. Although batik fabrics made in Yogyakarta and Surakarta are known for their deep brown colors, Yogyanese batik fabrics are brighter than their counterparts in Surakarta.
2. Bold Colors
Adding bold colors to your batik quilt will give it a lively look. Cirebon is the right city to visit if you are looking for bold-colored batik fabrics. Batik Trusmi is especially known for its colorful fabrics. If you are looking for bold shades of red, blue, orange, and yellow, you will find Cirebon the most colorful city to visit. Given that Cirebon is also a coastal city, you can also find bright colors there.
3. Dark Colors
To create contrasting look in your quilt, you need to add dark colors to your batik quilt. Darker colors in batik are generally represented by brown, blue and their shades. Solonese batik fabrics are known for their dark brown hues and Sundanese batik fabrics sport dark colors like blue, indigo and purple. Although this is a generalization, you can find those dark colors easily if you visit those places.
With all batik colors in your stock, you can arrange different colors to make eye-catching quilt patterns. There are so many patterns to choose from, including common patterns, such as flowers and animals (elephant or butterfly), and traditional patterns reminiscent of Indonesian culture, such as Javanese puppet and the Garuda bird. You can make the pattern either as a single big pattern made by combining patches of batik fabric or small tiled or repeating pattern on the surface of your quilt. More ingenuous patterns can be made if you use jelly rolls.
Prewashing Batik Fabric
Before you do quilting with batik fabrics, you may want to wash them first before using them. Batik fabrics are prone to color bleeding when washed. If it occurs after the quilt is finished, it will devastate the quilt. Prewashing prevents this by allowing the fabrics to bleed before being used for quilting. Prewashing also removes unwanted chemicals and contaminants and prevents fabric shrinking after the quilt is finished.
How to wash batik fabric? To wash batik fabric, there are several important things to mind.
- It is recommended that you wash by hand and not with a machine.
- Use warm water, if possible avoid detergent and use shampoo instead.
- In fact, herbal cleaners, such as orange peel, are still better than shampoo and anything chemical.
- Don’t mix batik fabrics with other garments as bleeding can be devastating.
- If possible, avoid wringing the fabric or drying it using machine. Air the fabric to dry it, but avoid direct exposure to sunray to prevent color fading.
With proper prewashing procedure, your batik will be ready for quilting.
Various Types of Batiks Fabric that You Can Quilt
Here are several types of batik fabric that you can transform into beautiful quilting products.
1. Batik Jelly Rolls
What is jelly roll? Jelly roll is pre-cut fabric measuring 2.5” wide and 44” long. It is thus a long strip of fabric that you can cut and arrange the way you want. With correct cutting and assembling techniques, you can create many patterns, including railway, jam, twist, slice, and check patterns. PDF instructions of how to make those patterns are available on Fat Quarter at online fabric store and many other places on the internet. Jelly rolls are already sold in strips, so you don’t have to cut the fabric yourself to make the strip, although you can also do that if you have spare bali batik fabric that you don’t use.
2. Batik Fat Quarter
What is a fat quarter fabric? A fat quarter is a yard or a meter-long fabric that is cut in quarters into four different pieces with the same size and shape. The size of a fat quarter is approximately 0.5 yard x 0.5 yard or 0.5 meter x 0.5 meter, depending on the measurement used in the original fabric. The exact size in inches and centimeters is approximately 18” x 22” and 46 x 56 centimeters. Fat quarter is a good selection if you want to make larger parts of a patchwork.
3. 108” Wide Batik Fabric
What is a 108” wide fabric? A 108” wide fabric is considered an extra-large fabric that must be used with proper planning. Due to its enormous size and expensive price but usually for bed linens , many quilters actually avoid it and prefer to use fabric in yardage. However, with ingenuous handling, this fabric can actually be used to make state-of-the-art product. With a 108” wide batik fabric, you can save quilting time by not piecing the back layer and create cleaner look due to the seamless characteristic of the fabric.
There are other types of Indonesian batik fabric that you can use, including the unique batik fabric available in yardage and pieces. You can combine all of them to create an excellent quilting product.
History mentions, Lampung textile art already know since the 18th century. Range of the textile art among other Lampung fabricfilters (woven ikat), pawns, sebage, selekap, teppal, cindai, peleppai (patterned fabric of the ship), and the tray. But most people know of tapis Lampung. tapis fabric ( ikat weaving from lampung is tapis) is a type of traditional handicrafts in Lampung society harmonizing his life good for the environment as well as the creator of the universe. Tapis fabric used as tribal women’s clothing fabric Holster-shaped Float made of woven cotton yarn with motif or decoration materials sugi, threads of silver or gold thread embroidery system. This fabric is usually used at the waist down glove-shaped
Development of batik motif lampung began in about 1970 by ahumanist lampung i.e. Andrean Sangaji said could join the popularize batik motif of boat and batik motif “tree of life” are strongly influenced by the culture of hindu-Buddhistpast. Lampung batik motifs that developed at this time was the motif of batik lampung modification or creations to add to the richness of the range of motifs of lampung batik, indonesia batik lovers in order to have many options such as gamolan motif, butterfly, siger, and elephants
Batik lampung appears because the idea of one of the old Javanese population settled in the region of lampung i.e. Gatot Kartiko with creative ideas to develop the pattern or motifs from traditional woven fabric filters fabric namely lampung and siger. Development of batik lampung quite rapidly when it began to be worn by former gubernut father Sjachroedin Z.P. lampung meaning and philosophynot as in lampung batik batik of Java in General, more to thewealth of motifs that demonstrate lampung identity itself. If reviewed from the point of history, does not demonstrate lampung facts of history that mengurucut to a culture here in the past, so batik lampung there because developed on the basis of the business that accentuate the characteristic area of the city of lampung itself as well as on batik jember created due to business factors combined with the characteristic of the city. Batik lampung more popular when worn by the former President of INDONESIAwho so love the batik indonesia Mr. Susilo Bambang Yudhoyono. Variety of batik lampung if review of the manufacturing process, there are 3 types of batik, handwriting batik(batik tulis), stamped batik (batik cap), and batik with motif full of lampung. The price of a piece of batik cloth this float is similar to batik prices generally range from IDR 75000 range up to a million more, depending on the type of fabric batik itself.
Sumenep located in the east of the island of Madura, which still has the Palace is still maintained until now. Unlike the Madura batik batik soga sumeneb browned, almost menyerupau batik from the Palace of Mataram. However there is also a dark blue batik, or black and white, but with a little extra green and red hue. Lar plane decorative and is thought to be the effect when Mataram Mataram master Sumenep. Some examples of batik is: lar, sekar universe, slope, Limar bouquet, carcena hole.
Cirebon government under Sunan Gunung Jati is the oldest center of Islamic kingdom in Java and sekaligur an important port in the trade route from Persia, India, Arabia, Europe and China. Second karatonnya, namely kasepuhan and Kanoman, produce batik motifs and styles that are not available in other areas. Cirebon batik motif shows the influence of Chinese culture. This is evident in the form of horizontal decking such as decorative painting and walasan the typical mega mega cloudy and Wadasan. Some other examples are batik: batik kasepuhan trains, ships foundered, peksi dragon liman, banner story.
At first Pakualaman region is part of the Yogyakarta Sultanate. In 1813 the Sultanate split into Ngayogjakarta Sultanate and the Duchy Pakualaman as a result of a dispute between the Sultanate Palace by British Lieutenant Governor-General Thomas Stamford Raffles. Therefore, cultural elements and motifs of batik has a stout equation.
Pakualaman temple motif style changed since Sri Paku Alam VII marry the daughter of His Majesty Sri Pakubowono X. So then Pakualaman motif appear later in the alloy between motif palaces of Yogyakarta and Surakarta batik colors. Pakualaman motif including: temple Varuna, peksi Manyura, alternating scales barong machete, machete klitik seling fried, broken machete alternating huk, plane manak, baboon angrem.
Mangkunegaran style motif similar to the Palace of Surakarta batik, but with a yellowish brown color soga. However batik temple Mangkunegaran step forward in the creation of motifs. This is evident from the many temples Mangkunegaran motif. Mangkunegaran temple motif among others: buketan fern (Bei Madusari mother works), sapanti nata, ole–ole, revelation tumurun, Kesit barong machete, machete sondher, machetes klithik glebag chrysanthemums, lyrical cemeng (Mother works Kanjeng Mangunkusumo).
Surakarta or Solo is one of two sultanate of Java, with all the traditions and customs of the kingdom which is the center of Hindu–Javanese culture. Not only the residence of the king’s palace, but also the center of government, religion and culture are reflected in the art of the region, especially in the nature of batik: motifs, colors and usage rules. In Solo there are some specific rules on the use of batik, include: tsosial status of the wearer and special events where the batik should be used in conjunction with the hope or blessing symbolized through batik design.Solo batik designs are often associated with Hindu Javanese culture, Sawat symbol of the crown or highest power, Meru symbol of mountain or the earth, a symbol of the water dragon, symbol Birds of wind or upper world and the symbol of fire Tongues of Fire. Beberapadesain traditionally used in important events, for example: Satria Manah and Cement Chain worn during the wedding ceremony application.Design Fabrics made in workshops Panembahan length Hardjonagoro, Surakarta in the early ’80s, the combined effects of multiple patterned areas, but the overall design style and color typical of Solo. Cloth fabric is twice the length of half a meter, which is used as a formal gloves.